Sure does feel like Summertime right now. (whew)
Summertime
Summertime,
And the livin' is easy
Fish are jumpin'
And the cotton is high
Your daddy's rich
And your mamma's good lookin'
So hush little baby
Don't you cry
One of these mornings
You're going to rise up singing
Then you'll spread your wings
And you'll take to the sky
But till that morning
There's a'nothing can harm you
-George Gershwin
Gosh, I love Mike Brant's version. (sigh)
Saturday, April 25, 2009
Friday, April 24, 2009
The ocean is such a short ride, heck, even walk away, and yet I never seem to have the time or energy to visit. This is ironic, given how much better I feel after having spent time in it or beside it.
maggie and milly and molly and may
maggie and milly and molly and may
went down to the beach(to play one day)
and maggie discovered a shell that sang
so sweetly she couldn't remember her troubles,and
milly befriended a stranded star
whose rays five languid fingers were;
and molly was chased by a horrible thing
which raced sideways while blowing bubbles:and
may came home with a smooth round stone
as small as a world and as large as alone.
For whatever we lose(like a you or a me)
it's always ourselves we find in the sea
- e. e. cummings
maggie and milly and molly and may
maggie and milly and molly and may
went down to the beach(to play one day)
and maggie discovered a shell that sang
so sweetly she couldn't remember her troubles,and
milly befriended a stranded star
whose rays five languid fingers were;
and molly was chased by a horrible thing
which raced sideways while blowing bubbles:and
may came home with a smooth round stone
as small as a world and as large as alone.
For whatever we lose(like a you or a me)
it's always ourselves we find in the sea
- e. e. cummings
Thursday, April 23, 2009
Water
Everything on the earth bristled, the bramble
pricked and the green thread
nibbled away, the petal fell, falling
until the only flower was the falling itself.
Water is another matter,
has no direction but its own bright grace,
runs through all imaginable colors,
takes limpid lessons
from stone,
and in those functionings plays out
the unrealized ambitions of the foam.
-Pablo Neruda
There's been plenty of water from the sky the past few days. The sun is out now, though, so we're going in search of some other water. Will be back in a day or two.
Everything on the earth bristled, the bramble
pricked and the green thread
nibbled away, the petal fell, falling
until the only flower was the falling itself.
Water is another matter,
has no direction but its own bright grace,
runs through all imaginable colors,
takes limpid lessons
from stone,
and in those functionings plays out
the unrealized ambitions of the foam.
-Pablo Neruda
There's been plenty of water from the sky the past few days. The sun is out now, though, so we're going in search of some other water. Will be back in a day or two.
Wednesday, April 22, 2009
Lots of rain the past couple days. That's okay; we kind of need it. This year's April has been kind of a dry one.
As I sit up here in my little garret, can hear the drops pattering on the skylight windows. It's a very comforting sound, this. Reminds me that I'm safe and secure; brings me back to a time when I was little and everything was okay. It will be easy to sleep tonight wrapped in such comforting feelings and surrounded by such soothing sounds.
Rain
As the falling rain
trickles among the stones
memories come bubbling out.
It's as if the rain
had pierced my temples.
Streaming
streaming chaotically
come memories:
the reedy voice
of the servant
telling me tales
of ghosts.
They sat beside me
the ghosts
and the bed creaked
that purple-dark afternoon
when I learned you were leaving forever,
a gleaming pebble
from constant rubbing
becomes a comet.
Rain is falling
falling
and memories keep flooding by
they show me a senseless
world
a voracious
world--abyss
ambush
whirlwind
spur
but I keep loving it
because I do
because of my five senses
because of my amazement
because every morning,
because forever, I have loved it
without knowing why.
- Claribel AlegrÃa
Translated by Margaret S. Peden
As I sit up here in my little garret, can hear the drops pattering on the skylight windows. It's a very comforting sound, this. Reminds me that I'm safe and secure; brings me back to a time when I was little and everything was okay. It will be easy to sleep tonight wrapped in such comforting feelings and surrounded by such soothing sounds.
Rain
As the falling rain
trickles among the stones
memories come bubbling out.
It's as if the rain
had pierced my temples.
Streaming
streaming chaotically
come memories:
the reedy voice
of the servant
telling me tales
of ghosts.
They sat beside me
the ghosts
and the bed creaked
that purple-dark afternoon
when I learned you were leaving forever,
a gleaming pebble
from constant rubbing
becomes a comet.
Rain is falling
falling
and memories keep flooding by
they show me a senseless
world
a voracious
world--abyss
ambush
whirlwind
spur
but I keep loving it
because I do
because of my five senses
because of my amazement
because every morning,
because forever, I have loved it
without knowing why.
- Claribel AlegrÃa
Translated by Margaret S. Peden
Tuesday, April 21, 2009
The forsythia, primroses, pansies and crocuses will soon give way to cherries, azaleas, daffodils and lilacs, which will then fade into the background for the dogwoods, roses, wisteria and peonies. So goes this natural progression of blossoming, going to seed, then lying dormant until the next Spring.
Nothing Gold Can Stay
Nature's first green is gold,
Her hardest hue to hold.
Her early leafs a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.
-Robert Frost
Nothing Gold Can Stay
Nature's first green is gold,
Her hardest hue to hold.
Her early leafs a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.
-Robert Frost
Monday, April 20, 2009
It's Patriots Day. You know the drill.
Paul Revere's Ride
LISTEN, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-Five;
Hardly a man is now alive
Who remembers that famous day and year.
He said to his friend, "If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower, as a signal light, --
One, if by land, and two, if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country-folk to be up and to arm."
Then he said "Good-night!" and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war;
A phantom ship, with each mast and spar
Across the moon like a prison-bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.
Meanwhile, his friend, through alley and street
Wanders and watches with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers,
Marching down to their boats on the shore.
Then he climbed the tower of the Old North Church,
By the wooden stairs, with stealthy tread,
To the belfry-chamber overhead,
And startled the pigeons from their perch
On the somber rafters, that round him made
Masses and moving shapes of shade, --
By the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town,
And the moonlight flowing over all.
Beneath, in the churchyard, lay the dead,
In their night-encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel's tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, "All is well!"
A moment only he feels the spell
Of the place and the hour, the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay, --
A line of black, that bends and floats
On the rising tide, like a bridge of boats.
Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride
On the opposite shore walked Paul Revere.
Now he patted his horse's side,
Now gazed on the landscape far and near,
Then, impetuous, stamped the earth,
And turned and tightened his saddle-girth;
But mostly he watched with eager search
The belfry-tower of the Old North Church,
As it rose above the graves on the hill,
Lonely and spectral and somber and still.
And lo! as he looks, on the belfry's height
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns!
A hurry of hoofs in a village street,
A shape in the moonlight, a bulk in the dark,
And beneath, from the pebbles, in passing, a spark
Struck out by a steed flying fearless and fleet:
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the tramp of his steed as he rides.
It was twelve by the village clock,
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer's dog,
And felt the damp of the river fog,
That rises after the sun goes down.
It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, blank and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.
It was two by the village clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadows brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket-ball.
You know the rest. In the books you have read,
How the British regulars fired and fled, --
How the farmers gave them ball for ball,
From behind each fence and farm-yard wall,
Chasing the red-coats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.
So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm, --
A cry of defiance and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo forevermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beat of that steed,
And the midnight-message of Paul Revere.
-Henry Wadsworth Longfellow
Enjoy the day!
Paul Revere's Ride
LISTEN, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in Seventy-Five;
Hardly a man is now alive
Who remembers that famous day and year.
He said to his friend, "If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower, as a signal light, --
One, if by land, and two, if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,
For the country-folk to be up and to arm."
Then he said "Good-night!" and with muffled oar
Silently rowed to the Charlestown shore,
Just as the moon rose over the bay,
Where swinging wide at her moorings lay
The Somerset, British man-of-war;
A phantom ship, with each mast and spar
Across the moon like a prison-bar,
And a huge black hulk, that was magnified
By its own reflection in the tide.
Meanwhile, his friend, through alley and street
Wanders and watches with eager ears,
Till in the silence around him he hears
The muster of men at the barrack door,
The sound of arms, and the tramp of feet,
And the measured tread of the grenadiers,
Marching down to their boats on the shore.
Then he climbed the tower of the Old North Church,
By the wooden stairs, with stealthy tread,
To the belfry-chamber overhead,
And startled the pigeons from their perch
On the somber rafters, that round him made
Masses and moving shapes of shade, --
By the trembling ladder, steep and tall,
To the highest window in the wall,
Where he paused to listen and look down
A moment on the roofs of the town,
And the moonlight flowing over all.
Beneath, in the churchyard, lay the dead,
In their night-encampment on the hill,
Wrapped in silence so deep and still
That he could hear, like a sentinel's tread,
The watchful night-wind, as it went
Creeping along from tent to tent,
And seeming to whisper, "All is well!"
A moment only he feels the spell
Of the place and the hour, the secret dread
Of the lonely belfry and the dead;
For suddenly all his thoughts are bent
On a shadowy something far away,
Where the river widens to meet the bay, --
A line of black, that bends and floats
On the rising tide, like a bridge of boats.
Meanwhile, impatient to mount and ride,
Booted and spurred, with a heavy stride
On the opposite shore walked Paul Revere.
Now he patted his horse's side,
Now gazed on the landscape far and near,
Then, impetuous, stamped the earth,
And turned and tightened his saddle-girth;
But mostly he watched with eager search
The belfry-tower of the Old North Church,
As it rose above the graves on the hill,
Lonely and spectral and somber and still.
And lo! as he looks, on the belfry's height
A glimmer, and then a gleam of light!
He springs to the saddle, the bridle he turns,
But lingers and gazes, till full on his sight
A second lamp in the belfry burns!
A hurry of hoofs in a village street,
A shape in the moonlight, a bulk in the dark,
And beneath, from the pebbles, in passing, a spark
Struck out by a steed flying fearless and fleet:
That was all! And yet, through the gloom and the light,
The fate of a nation was riding that night;
And the spark struck out by that steed, in his flight,
Kindled the land into flame with its heat.
He has left the village and mounted the steep,
And beneath him, tranquil and broad and deep,
Is the Mystic, meeting the ocean tides;
And under the alders that skirt its edge,
Now soft on the sand, now loud on the ledge,
Is heard the tramp of his steed as he rides.
It was twelve by the village clock,
When he crossed the bridge into Medford town.
He heard the crowing of the cock,
And the barking of the farmer's dog,
And felt the damp of the river fog,
That rises after the sun goes down.
It was one by the village clock,
When he galloped into Lexington.
He saw the gilded weathercock
Swim in the moonlight as he passed,
And the meeting-house windows, blank and bare,
Gaze at him with a spectral glare,
As if they already stood aghast
At the bloody work they would look upon.
It was two by the village clock,
When he came to the bridge in Concord town.
He heard the bleating of the flock,
And the twitter of birds among the trees,
And felt the breath of the morning breeze
Blowing over the meadows brown.
And one was safe and asleep in his bed
Who at the bridge would be first to fall,
Who that day would be lying dead,
Pierced by a British musket-ball.
You know the rest. In the books you have read,
How the British regulars fired and fled, --
How the farmers gave them ball for ball,
From behind each fence and farm-yard wall,
Chasing the red-coats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.
So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm, --
A cry of defiance and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo forevermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beat of that steed,
And the midnight-message of Paul Revere.
-Henry Wadsworth Longfellow
Enjoy the day!
Sunday, April 19, 2009
In Spring, this girl's heart goes a-pitter patter for a good patter song -
Advent of Spring
Under the beechful eye,
When causeless brandslings bring,
Let the froddering crooner cry,
And the braddled sapster sing.
For never and never again
Will the tottering bauble bray,
For bratticed wrackers are singing aloud,
And the throngers croon in May!
The wracking globe unstrung,
Unstrung in the frittering light
Of a moon that knows no day!
Of a day that knows no night!
Diving away in the crowd
Of sparkling frets of spray
The bratticed wrackers are singing aloud,
And the throngers croon in May!
Hasten, O hapful blue,
Blue of the thimmering brow,
Hasten to meet your crew,
Theyll clamour to pelt thee now!
For never again shall a cloud
Out-thribble the babbling day,
When bratticed wrackers are singing aloud,
And the throngers croon in May!
-W. S. Gilbert, from the Bab Ballads.
From what I've read so far in a book I picked up the other day, the Bab Ballads are considered to be Sullivan's major work. The edition that I have contains the full collection of songs accompanied by his wonderfully farfelu drawings. All of it is a bit redolent of Edward Lear.
Advent of Spring
Under the beechful eye,
When causeless brandslings bring,
Let the froddering crooner cry,
And the braddled sapster sing.
For never and never again
Will the tottering bauble bray,
For bratticed wrackers are singing aloud,
And the throngers croon in May!
The wracking globe unstrung,
Unstrung in the frittering light
Of a moon that knows no day!
Of a day that knows no night!
Diving away in the crowd
Of sparkling frets of spray
The bratticed wrackers are singing aloud,
And the throngers croon in May!
Hasten, O hapful blue,
Blue of the thimmering brow,
Hasten to meet your crew,
Theyll clamour to pelt thee now!
For never again shall a cloud
Out-thribble the babbling day,
When bratticed wrackers are singing aloud,
And the throngers croon in May!
-W. S. Gilbert, from the Bab Ballads.
From what I've read so far in a book I picked up the other day, the Bab Ballads are considered to be Sullivan's major work. The edition that I have contains the full collection of songs accompanied by his wonderfully farfelu drawings. All of it is a bit redolent of Edward Lear.
Saturday, April 18, 2009
Friday, April 17, 2009
There is no limit to how high our spirits can soar if we only allow them the freedom to do so.
To Althea From Prison
When Love with unconfined wings
Hovers within my gates,
And my divine Althea brings
To whisper at my grates;
When I lie tangled in her hair
And fettered with her eye,
The birds that wanton in the air
Know no such liberty.
When flowing cups pass swiftly round
With no allaying Thames,
Our careless heads with roses crowned,
Our hearts with loyal flames;
When thirsty grief in wine we steep,
When healths and draughts go free,
Fishes that tipple in the deep
Know no such liberty.
When, linnet-like confined,
With shriller throat shall sing
The mercy, sweetness, majesty
And glories of my King;
When I shall voice aloud how good
He is, how great should he,
Enlarge'd winds, that curl the flood,
Know no such liberty.
Stone walls do not a prison make,
Nor iron bars a cage;
Minds innocent and quiet take
That for an hermitage:
If I have freedom in my love,
And in my soul am free,
Angels alone, that soar above,
Enjoy such liberty.
- Colonel Richard Lovelace
To Althea From Prison
When Love with unconfined wings
Hovers within my gates,
And my divine Althea brings
To whisper at my grates;
When I lie tangled in her hair
And fettered with her eye,
The birds that wanton in the air
Know no such liberty.
When flowing cups pass swiftly round
With no allaying Thames,
Our careless heads with roses crowned,
Our hearts with loyal flames;
When thirsty grief in wine we steep,
When healths and draughts go free,
Fishes that tipple in the deep
Know no such liberty.
When, linnet-like confined,
With shriller throat shall sing
The mercy, sweetness, majesty
And glories of my King;
When I shall voice aloud how good
He is, how great should he,
Enlarge'd winds, that curl the flood,
Know no such liberty.
Stone walls do not a prison make,
Nor iron bars a cage;
Minds innocent and quiet take
That for an hermitage:
If I have freedom in my love,
And in my soul am free,
Angels alone, that soar above,
Enjoy such liberty.
- Colonel Richard Lovelace
Thursday, April 16, 2009
I don't know. Maybe it's that I've always felt myself more able to take care of myself after a rejection. Maybe it's the thought that I don't merit or maybe don't even want to deal with too much of another's ardor.
The More Loving One
Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.
Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.
Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
- W. H. Auden
The More Loving One
Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.
Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.
Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
- W. H. Auden
Wednesday, April 15, 2009
Instead of worrying about impending deadlines, have been spending way too much time among the Romans lately, revisiting Aeneas's exploits, and other events leading to the founding of the city which so influenced what we are today.
Have really been getting into reading history lately as, not only can you move about location-wise, you can jump from age to age. Talk about great escapes.
There is no frigate like a book
There is no Frigate like a Book
To take us Lands away,
Nor any Coursers like a Page
Of prancing Poetry –
This Traverse may the poorest take
Without oppress of Toll –
How frugal is the Chariot
That bears a Human soul.
-Emily Dickinson
Have really been getting into reading history lately as, not only can you move about location-wise, you can jump from age to age. Talk about great escapes.
There is no frigate like a book
There is no Frigate like a Book
To take us Lands away,
Nor any Coursers like a Page
Of prancing Poetry –
This Traverse may the poorest take
Without oppress of Toll –
How frugal is the Chariot
That bears a Human soul.
-Emily Dickinson
Tuesday, April 14, 2009
Dreams
Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.
Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.
-Langston Hughes
(Am a bit overwhelmed; don't know how everything that needs to be done will be done. One, maybe two dreams are keeping me afloat right now.)
Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.
Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.
-Langston Hughes
(Am a bit overwhelmed; don't know how everything that needs to be done will be done. One, maybe two dreams are keeping me afloat right now.)
Monday, April 13, 2009
Stood outside in the near freezing morning to admire my violas and pansies. Small, unassuming, but able to withstand an unexpected chill, they are weathering very nicely and infusing a not particularly charming place with a bit of much-needed cheer.
The Violet
Down in a green and shady bed
A modest violet grew;
Its stalk was bent, it hung its head,
As if to hide from view.
And yet it was a lovely flower,
Its colors bright and fair;
It might have graced a rosy bower,
Instead of hiding there.
Yet there it was content to bloom,
In modest tints arrayed;
And there diffused a sweet perfume,
Within the silent shade.
Then let me to the valley go,
This pretty flower to see;
That I may also learn to grow
In sweet humility.
-Jane Taylor
The Violet
Down in a green and shady bed
A modest violet grew;
Its stalk was bent, it hung its head,
As if to hide from view.
And yet it was a lovely flower,
Its colors bright and fair;
It might have graced a rosy bower,
Instead of hiding there.
Yet there it was content to bloom,
In modest tints arrayed;
And there diffused a sweet perfume,
Within the silent shade.
Then let me to the valley go,
This pretty flower to see;
That I may also learn to grow
In sweet humility.
-Jane Taylor
Sunday, April 12, 2009
Across the street at the hospital, I saw the first blooming cherry tree of the year. Brave thing to put its blossoms out on such a chilly day.
A Shropshire Lad, II
Loveliest of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.
Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.
And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.
-A. E. Housman
(Happy Easter.)
***
Ralph Vaughan Williams set a number of Houseman's poems to music in his cycle On Wenlock Edge. Though the above is not included here, found this recording interesting for the historical context it gives.
A Shropshire Lad, II
Loveliest of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.
Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.
And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.
-A. E. Housman
(Happy Easter.)
***
Ralph Vaughan Williams set a number of Houseman's poems to music in his cycle On Wenlock Edge. Though the above is not included here, found this recording interesting for the historical context it gives.
Saturday, April 11, 2009
Spring Cleaning.
Among other things, I did 12 loads of laundry. Am so looking to curling up in the crisp cotton sheets that make their appearance this time of year.
Ode to Ironing
Poetry is white:
it comes from the water covered with drops,
it wrinkles and piles up,
the skin of this planet must be stretched,
the sea of its whiteness must be ironed,
and the hands move and move,
the holy surfaces are smoothed out,
and that is how things are made:
hands make the world each day,
fire becomes one with steel,
linen, canvas, and cotton arrive
from the combat of the laundries,
and out of light a dove is born:
chastity returns from the foam.
-Pablo Neruda
translated by Stephen Mitchell
Among other things, I did 12 loads of laundry. Am so looking to curling up in the crisp cotton sheets that make their appearance this time of year.
Ode to Ironing
Poetry is white:
it comes from the water covered with drops,
it wrinkles and piles up,
the skin of this planet must be stretched,
the sea of its whiteness must be ironed,
and the hands move and move,
the holy surfaces are smoothed out,
and that is how things are made:
hands make the world each day,
fire becomes one with steel,
linen, canvas, and cotton arrive
from the combat of the laundries,
and out of light a dove is born:
chastity returns from the foam.
-Pablo Neruda
translated by Stephen Mitchell
Friday, April 10, 2009
At three minutes to midnight, I was desperate for a poem to post for today.
Poetry
it
takes
a lot of
desperation
dissatisfaction
and
disillusion
to
write
a
few
good
poems.
it's not
for
everybody
either to
write
it
or even to
read
it.
-Charles Bukowski
Poetry
it
takes
a lot of
desperation
dissatisfaction
and
disillusion
to
write
a
few
good
poems.
it's not
for
everybody
either to
write
it
or even to
read
it.
-Charles Bukowski
Thursday, April 09, 2009
Dusting needs to be done here a couple times a week due to our surfeit of cat dander, people dander, plaster dust (the house being a work in progress) and urban grit. Will probably have achieved some sort of enlightenment when I can be so graceful about this activity; it's easily my least favorite chore.
Dusting
Thank you for these tiny
particles of ocean salt,
pearl-necklace viruses,
winged protozoans:
for the infinite,
intricate shapes
of submicroscopic
living things.
For algae spores
and fungus spores,
bonded by vital
mutual genetic cooperation,
spreading their
inseparable lives
from equator to pole.
My hand, my arm,
make sweeping circles.
Dust climbs the ladder of light.
For this infernal, endless chore,
for these eternal seeds of rain:
Thank you. For dust.
-Marilyn Nelson
Dusting
Thank you for these tiny
particles of ocean salt,
pearl-necklace viruses,
winged protozoans:
for the infinite,
intricate shapes
of submicroscopic
living things.
For algae spores
and fungus spores,
bonded by vital
mutual genetic cooperation,
spreading their
inseparable lives
from equator to pole.
My hand, my arm,
make sweeping circles.
Dust climbs the ladder of light.
For this infernal, endless chore,
for these eternal seeds of rain:
Thank you. For dust.
-Marilyn Nelson
Wednesday, April 08, 2009
Though a lot of where I live is green and thriving, there are many places that are not. My walk to school brings me through a particularly blighted area, an area where the only green one might see is from the weeds pushing up through cracks or perhaps a sickly tree that put forth a few leaves. Gray and black is the dominant color scheme.
The soundscape is dominated by car horns and the roar of 18-wheelers.
Sometimes, however, I am surprised to hear a few cheerful notes from the sparrows who seem to be the only birds (aside from pigeons) hardy enough to manage this environment. The sight and sound of one one of these little fellows perched on a chain link fence either calling to a mate or marking territory does much to make the walk more bearable.
The Darkling Thrush
I leant upon a coppice gate
When Frost was spectre-gray,
And Winter's dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
The land's sharp features seemed to be
The Century's corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.
At once a voice arose among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt, and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.
So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.
-Thomas Hardy
The soundscape is dominated by car horns and the roar of 18-wheelers.
Sometimes, however, I am surprised to hear a few cheerful notes from the sparrows who seem to be the only birds (aside from pigeons) hardy enough to manage this environment. The sight and sound of one one of these little fellows perched on a chain link fence either calling to a mate or marking territory does much to make the walk more bearable.
The Darkling Thrush
I leant upon a coppice gate
When Frost was spectre-gray,
And Winter's dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
The land's sharp features seemed to be
The Century's corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.
At once a voice arose among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt, and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.
So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.
-Thomas Hardy
Tuesday, April 07, 2009
Tonight I'm knitting a mesh bag from recycled cotton to pass on to a lady in Atlanta as part of a group effort to promote sustainable living. (That sounds pretty Cambridge to me.)
the Cambridge ladies who live in furnished souls
the Cambridge ladies who live in furnished souls
are unbeautiful and have comfortable minds
(also, with the church's protestant blessings
daughters, unscented shapeless spirited)
they believe in Christ and Longfellow,both dead,
are invariably interested in so many things-
at the present writing one still finds
delighted fingers knitting for the is it Poles?
perhaps. While permanent faces coyly bandy
scandal of Mrs. N and Professor D
....the Cambridge ladies do not care,above
Cambridge if sometimes in its box of
sky lavender and cornerless, the
moon rattles like a fragment of angry candy
-e.e. cummings
the Cambridge ladies who live in furnished souls
the Cambridge ladies who live in furnished souls
are unbeautiful and have comfortable minds
(also, with the church's protestant blessings
daughters, unscented shapeless spirited)
they believe in Christ and Longfellow,both dead,
are invariably interested in so many things-
at the present writing one still finds
delighted fingers knitting for the is it Poles?
perhaps. While permanent faces coyly bandy
scandal of Mrs. N and Professor D
....the Cambridge ladies do not care,above
Cambridge if sometimes in its box of
sky lavender and cornerless, the
moon rattles like a fragment of angry candy
-e.e. cummings
Labels:
bien-pensant,
Cambridge,
cummings,
knitting,
New England
Monday, April 06, 2009
While putting together yesterday's post, I got to read a fair bit about Elizabeth Barrett Browning. I knew that she married later on in life and I knew that her husband was younger than her, but had no idea about a lot of the details.
What strength of character and courage it must have taken for her to leave her family, to escape the clutches of her authoritarian father at a time when this just was not done. How wonderful that, at what was middle age then, she was able to live happily with her love, regain strength and start a family. Such perseverance, such patience on her part:
My Letters! all dead paper... (Sonnet 28)
My letters! all dead paper, mute and white!
And yet they seem alive and quivering
Against my tremulous hands which loose the string
And let them drop down on my knee tonight.
This said—he wished to have me in his sight
Once, as a friend: this fixed a day in spring
To come and touch my hand. . . a simple thing,
Yes I wept for it—this . . . the paper's light. . .
Said, Dear, I love thee; and I sank and quailed
As if God's future thundered on my past.
This said, I am thine—and so its ink has paled
With lying at my heart that beat too fast.
And this . . . 0 Love, thy words have ill availed
If, what this said, I dared repeat at last!
-Elizabeth Barrett Browning
And Robert's:
Meeting at Night
The gray sea and the long black land;
And the yellow half-moon large and low:
And the startled little waves that leap
In fiery ringlets from their sleep,
As I gain the cove with pushing prow,
And quench its speed i’ the slushy sand.
Then a mile of warm sea-scented beach;
Three fields to cross till a farm appears;
A tap at the pane, the quick sharp scratch
And blue spurt of a lighted match,
And a voice less loud, through joys and fears,
Than the two hearts beating each to each!
-Robert Browning
What strength of character and courage it must have taken for her to leave her family, to escape the clutches of her authoritarian father at a time when this just was not done. How wonderful that, at what was middle age then, she was able to live happily with her love, regain strength and start a family. Such perseverance, such patience on her part:
My Letters! all dead paper... (Sonnet 28)
My letters! all dead paper, mute and white!
And yet they seem alive and quivering
Against my tremulous hands which loose the string
And let them drop down on my knee tonight.
This said—he wished to have me in his sight
Once, as a friend: this fixed a day in spring
To come and touch my hand. . . a simple thing,
Yes I wept for it—this . . . the paper's light. . .
Said, Dear, I love thee; and I sank and quailed
As if God's future thundered on my past.
This said, I am thine—and so its ink has paled
With lying at my heart that beat too fast.
And this . . . 0 Love, thy words have ill availed
If, what this said, I dared repeat at last!
-Elizabeth Barrett Browning
And Robert's:
Meeting at Night
The gray sea and the long black land;
And the yellow half-moon large and low:
And the startled little waves that leap
In fiery ringlets from their sleep,
As I gain the cove with pushing prow,
And quench its speed i’ the slushy sand.
Then a mile of warm sea-scented beach;
Three fields to cross till a farm appears;
A tap at the pane, the quick sharp scratch
And blue spurt of a lighted match,
And a voice less loud, through joys and fears,
Than the two hearts beating each to each!
-Robert Browning
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