While putting together yesterday's post, I got to read a fair bit about Elizabeth Barrett Browning. I knew that she married later on in life and I knew that her husband was younger than her, but had no idea about a lot of the details.

What strength of character and courage it must have taken for her to leave her family, to escape the clutches of her authoritarian father at a time when this just was not done. How wonderful that, at what was middle age then, she was able to live happily with her love, regain strength and start a family. Such perseverance, such patience on her part:

My Letters! all dead paper... (Sonnet 28)

My letters! all dead paper, mute and white!
And yet they seem alive and quivering
Against my tremulous hands which loose the string
And let them drop down on my knee tonight.
This said—he wished to have me in his sight
Once, as a friend: this fixed a day in spring
To come and touch my hand. . . a simple thing,
Yes I wept for it—this . . . the paper's light. . .
Said, Dear, I love thee; and I sank and quailed
As if God's future thundered on my past.
This said, I am thine—and so its ink has paled
With lying at my heart that beat too fast.
And this . . . 0 Love, thy words have ill availed
If, what this said, I dared repeat at last!

-Elizabeth Barrett Browning

And Robert's:

Meeting at Night

The gray sea and the long black land;
And the yellow half-moon large and low:
And the startled little waves that leap
In fiery ringlets from their sleep,
As I gain the cove with pushing prow,
And quench its speed i’ the slushy sand.

Then a mile of warm sea-scented beach;
Three fields to cross till a farm appears;
A tap at the pane, the quick sharp scratch
And blue spurt of a lighted match,
And a voice less loud, through joys and fears,
Than the two hearts beating each to each!

-Robert Browning

We're working on our bird songs now. So far, I only know a few: the robin, the cardinal, the jay, the sparrow, the titmouse, the chickadee.

This afternoon, was sitting out in the yard listening to the mad chatter and trying to isolate the individual songs. I think I got a few correct, anyway.

Closed my eyes for a bit and, while listening to the songs, got to thinking about Pan's flute. According to Edith Hamilton's Mythology, The satyr fell in love with a nymph called Syrinx. Terrified of him, she fled. Just as he was about to catch her, however, her sisters turned her into "a tuft of reeds." Not one to give up, Pan created a shepherd's flute from the reeds that Syrinx had become and beeswax.

A Musical Instrument

What was he doing, the great god Pan,
Down in the reeds by the river?
Spreading ruin and scattering ban,
Splashing and paddling with hoofs of a goat,
And breaking the golden lilies afloat
With the dragon-fly on the river.

He tore out a reed, the great god Pan,
From the deep cool bed of the river:
The limpid water turbidly ran,
And the broken lilies a-dying lay,
And the dragon-fly had fled away,
Ere he brought it out of the river.

High on the shore sat the great god Pan
While turbidly flowed the river;
And hacked and hewed as a great god can,
With his hard bleak steel at the patient reed,
Till there was not a sign of the leaf indeed
To prove it fresh from the river.

He cut it short, did the great god Pan,
(How tall it stood in the river!)
Then drew the pith, like the heart of a man,
Steadily from the outside ring,
And notched the poor dry empty thing
In holes, as he sat by the river.

'This is the way,' laughed the great god Pan
(Laughed while he sat by the river),
'The only way, since gods began
To make sweet music, they could succeed.'
Then, dropping his mouth to a hole in the reed,
He blew in power by the river.

-Elizabeth Barrett Browning