If.
Then
and now
Saturday, April 18, 2009
Friday, April 17, 2009
There is no limit to how high our spirits can soar if we only allow them the freedom to do so.
To Althea From Prison
When Love with unconfined wings
Hovers within my gates,
And my divine Althea brings
To whisper at my grates;
When I lie tangled in her hair
And fettered with her eye,
The birds that wanton in the air
Know no such liberty.
When flowing cups pass swiftly round
With no allaying Thames,
Our careless heads with roses crowned,
Our hearts with loyal flames;
When thirsty grief in wine we steep,
When healths and draughts go free,
Fishes that tipple in the deep
Know no such liberty.
When, linnet-like confined,
With shriller throat shall sing
The mercy, sweetness, majesty
And glories of my King;
When I shall voice aloud how good
He is, how great should he,
Enlarge'd winds, that curl the flood,
Know no such liberty.
Stone walls do not a prison make,
Nor iron bars a cage;
Minds innocent and quiet take
That for an hermitage:
If I have freedom in my love,
And in my soul am free,
Angels alone, that soar above,
Enjoy such liberty.
- Colonel Richard Lovelace
To Althea From Prison
When Love with unconfined wings
Hovers within my gates,
And my divine Althea brings
To whisper at my grates;
When I lie tangled in her hair
And fettered with her eye,
The birds that wanton in the air
Know no such liberty.
When flowing cups pass swiftly round
With no allaying Thames,
Our careless heads with roses crowned,
Our hearts with loyal flames;
When thirsty grief in wine we steep,
When healths and draughts go free,
Fishes that tipple in the deep
Know no such liberty.
When, linnet-like confined,
With shriller throat shall sing
The mercy, sweetness, majesty
And glories of my King;
When I shall voice aloud how good
He is, how great should he,
Enlarge'd winds, that curl the flood,
Know no such liberty.
Stone walls do not a prison make,
Nor iron bars a cage;
Minds innocent and quiet take
That for an hermitage:
If I have freedom in my love,
And in my soul am free,
Angels alone, that soar above,
Enjoy such liberty.
- Colonel Richard Lovelace
Thursday, April 16, 2009
I don't know. Maybe it's that I've always felt myself more able to take care of myself after a rejection. Maybe it's the thought that I don't merit or maybe don't even want to deal with too much of another's ardor.
The More Loving One
Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.
Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.
Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
- W. H. Auden
The More Loving One
Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.
How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.
Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.
Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
- W. H. Auden
Wednesday, April 15, 2009
Instead of worrying about impending deadlines, have been spending way too much time among the Romans lately, revisiting Aeneas's exploits, and other events leading to the founding of the city which so influenced what we are today.
Have really been getting into reading history lately as, not only can you move about location-wise, you can jump from age to age. Talk about great escapes.
There is no frigate like a book
There is no Frigate like a Book
To take us Lands away,
Nor any Coursers like a Page
Of prancing Poetry –
This Traverse may the poorest take
Without oppress of Toll –
How frugal is the Chariot
That bears a Human soul.
-Emily Dickinson
Have really been getting into reading history lately as, not only can you move about location-wise, you can jump from age to age. Talk about great escapes.
There is no frigate like a book
There is no Frigate like a Book
To take us Lands away,
Nor any Coursers like a Page
Of prancing Poetry –
This Traverse may the poorest take
Without oppress of Toll –
How frugal is the Chariot
That bears a Human soul.
-Emily Dickinson
Tuesday, April 14, 2009
Dreams
Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.
Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.
-Langston Hughes
(Am a bit overwhelmed; don't know how everything that needs to be done will be done. One, maybe two dreams are keeping me afloat right now.)
Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.
Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.
-Langston Hughes
(Am a bit overwhelmed; don't know how everything that needs to be done will be done. One, maybe two dreams are keeping me afloat right now.)
Monday, April 13, 2009
Stood outside in the near freezing morning to admire my violas and pansies. Small, unassuming, but able to withstand an unexpected chill, they are weathering very nicely and infusing a not particularly charming place with a bit of much-needed cheer.
The Violet
Down in a green and shady bed
A modest violet grew;
Its stalk was bent, it hung its head,
As if to hide from view.
And yet it was a lovely flower,
Its colors bright and fair;
It might have graced a rosy bower,
Instead of hiding there.
Yet there it was content to bloom,
In modest tints arrayed;
And there diffused a sweet perfume,
Within the silent shade.
Then let me to the valley go,
This pretty flower to see;
That I may also learn to grow
In sweet humility.
-Jane Taylor
The Violet
Down in a green and shady bed
A modest violet grew;
Its stalk was bent, it hung its head,
As if to hide from view.
And yet it was a lovely flower,
Its colors bright and fair;
It might have graced a rosy bower,
Instead of hiding there.
Yet there it was content to bloom,
In modest tints arrayed;
And there diffused a sweet perfume,
Within the silent shade.
Then let me to the valley go,
This pretty flower to see;
That I may also learn to grow
In sweet humility.
-Jane Taylor
Sunday, April 12, 2009
Across the street at the hospital, I saw the first blooming cherry tree of the year. Brave thing to put its blossoms out on such a chilly day.
A Shropshire Lad, II
Loveliest of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.
Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.
And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.
-A. E. Housman
(Happy Easter.)
***
Ralph Vaughan Williams set a number of Houseman's poems to music in his cycle On Wenlock Edge. Though the above is not included here, found this recording interesting for the historical context it gives.
A Shropshire Lad, II
Loveliest of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.
Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.
And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.
-A. E. Housman
(Happy Easter.)
***
Ralph Vaughan Williams set a number of Houseman's poems to music in his cycle On Wenlock Edge. Though the above is not included here, found this recording interesting for the historical context it gives.
Saturday, April 11, 2009
Spring Cleaning.
Among other things, I did 12 loads of laundry. Am so looking to curling up in the crisp cotton sheets that make their appearance this time of year.
Ode to Ironing
Poetry is white:
it comes from the water covered with drops,
it wrinkles and piles up,
the skin of this planet must be stretched,
the sea of its whiteness must be ironed,
and the hands move and move,
the holy surfaces are smoothed out,
and that is how things are made:
hands make the world each day,
fire becomes one with steel,
linen, canvas, and cotton arrive
from the combat of the laundries,
and out of light a dove is born:
chastity returns from the foam.
-Pablo Neruda
translated by Stephen Mitchell
Among other things, I did 12 loads of laundry. Am so looking to curling up in the crisp cotton sheets that make their appearance this time of year.
Ode to Ironing
Poetry is white:
it comes from the water covered with drops,
it wrinkles and piles up,
the skin of this planet must be stretched,
the sea of its whiteness must be ironed,
and the hands move and move,
the holy surfaces are smoothed out,
and that is how things are made:
hands make the world each day,
fire becomes one with steel,
linen, canvas, and cotton arrive
from the combat of the laundries,
and out of light a dove is born:
chastity returns from the foam.
-Pablo Neruda
translated by Stephen Mitchell
Friday, April 10, 2009
At three minutes to midnight, I was desperate for a poem to post for today.
Poetry
it
takes
a lot of
desperation
dissatisfaction
and
disillusion
to
write
a
few
good
poems.
it's not
for
everybody
either to
write
it
or even to
read
it.
-Charles Bukowski
Poetry
it
takes
a lot of
desperation
dissatisfaction
and
disillusion
to
write
a
few
good
poems.
it's not
for
everybody
either to
write
it
or even to
read
it.
-Charles Bukowski
Thursday, April 09, 2009
Dusting needs to be done here a couple times a week due to our surfeit of cat dander, people dander, plaster dust (the house being a work in progress) and urban grit. Will probably have achieved some sort of enlightenment when I can be so graceful about this activity; it's easily my least favorite chore.
Dusting
Thank you for these tiny
particles of ocean salt,
pearl-necklace viruses,
winged protozoans:
for the infinite,
intricate shapes
of submicroscopic
living things.
For algae spores
and fungus spores,
bonded by vital
mutual genetic cooperation,
spreading their
inseparable lives
from equator to pole.
My hand, my arm,
make sweeping circles.
Dust climbs the ladder of light.
For this infernal, endless chore,
for these eternal seeds of rain:
Thank you. For dust.
-Marilyn Nelson
Dusting
Thank you for these tiny
particles of ocean salt,
pearl-necklace viruses,
winged protozoans:
for the infinite,
intricate shapes
of submicroscopic
living things.
For algae spores
and fungus spores,
bonded by vital
mutual genetic cooperation,
spreading their
inseparable lives
from equator to pole.
My hand, my arm,
make sweeping circles.
Dust climbs the ladder of light.
For this infernal, endless chore,
for these eternal seeds of rain:
Thank you. For dust.
-Marilyn Nelson
Wednesday, April 08, 2009
Though a lot of where I live is green and thriving, there are many places that are not. My walk to school brings me through a particularly blighted area, an area where the only green one might see is from the weeds pushing up through cracks or perhaps a sickly tree that put forth a few leaves. Gray and black is the dominant color scheme.
The soundscape is dominated by car horns and the roar of 18-wheelers.
Sometimes, however, I am surprised to hear a few cheerful notes from the sparrows who seem to be the only birds (aside from pigeons) hardy enough to manage this environment. The sight and sound of one one of these little fellows perched on a chain link fence either calling to a mate or marking territory does much to make the walk more bearable.
The Darkling Thrush
I leant upon a coppice gate
When Frost was spectre-gray,
And Winter's dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
The land's sharp features seemed to be
The Century's corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.
At once a voice arose among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt, and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.
So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.
-Thomas Hardy
The soundscape is dominated by car horns and the roar of 18-wheelers.
Sometimes, however, I am surprised to hear a few cheerful notes from the sparrows who seem to be the only birds (aside from pigeons) hardy enough to manage this environment. The sight and sound of one one of these little fellows perched on a chain link fence either calling to a mate or marking territory does much to make the walk more bearable.
The Darkling Thrush
I leant upon a coppice gate
When Frost was spectre-gray,
And Winter's dregs made desolate
The weakening eye of day.
The tangled bine-stems scored the sky
Like strings of broken lyres,
And all mankind that haunted nigh
Had sought their household fires.
The land's sharp features seemed to be
The Century's corpse outleant,
His crypt the cloudy canopy,
The wind his death-lament.
The ancient pulse of germ and birth
Was shrunken hard and dry,
And every spirit upon earth
Seemed fervourless as I.
At once a voice arose among
The bleak twigs overhead
In a full-hearted evensong
Of joy illimited;
An aged thrush, frail, gaunt, and small,
In blast-beruffled plume,
Had chosen thus to fling his soul
Upon the growing gloom.
So little cause for carolings
Of such ecstatic sound
Was written on terrestrial things
Afar or nigh around,
That I could think there trembled through
His happy good-night air
Some blessed Hope, whereof he knew
And I was unaware.
-Thomas Hardy
Tuesday, April 07, 2009
Tonight I'm knitting a mesh bag from recycled cotton to pass on to a lady in Atlanta as part of a group effort to promote sustainable living. (That sounds pretty Cambridge to me.)
the Cambridge ladies who live in furnished souls
the Cambridge ladies who live in furnished souls
are unbeautiful and have comfortable minds
(also, with the church's protestant blessings
daughters, unscented shapeless spirited)
they believe in Christ and Longfellow,both dead,
are invariably interested in so many things-
at the present writing one still finds
delighted fingers knitting for the is it Poles?
perhaps. While permanent faces coyly bandy
scandal of Mrs. N and Professor D
....the Cambridge ladies do not care,above
Cambridge if sometimes in its box of
sky lavender and cornerless, the
moon rattles like a fragment of angry candy
-e.e. cummings
the Cambridge ladies who live in furnished souls
the Cambridge ladies who live in furnished souls
are unbeautiful and have comfortable minds
(also, with the church's protestant blessings
daughters, unscented shapeless spirited)
they believe in Christ and Longfellow,both dead,
are invariably interested in so many things-
at the present writing one still finds
delighted fingers knitting for the is it Poles?
perhaps. While permanent faces coyly bandy
scandal of Mrs. N and Professor D
....the Cambridge ladies do not care,above
Cambridge if sometimes in its box of
sky lavender and cornerless, the
moon rattles like a fragment of angry candy
-e.e. cummings
Labels:
bien-pensant,
Cambridge,
cummings,
knitting,
New England
Monday, April 06, 2009
While putting together yesterday's post, I got to read a fair bit about Elizabeth Barrett Browning. I knew that she married later on in life and I knew that her husband was younger than her, but had no idea about a lot of the details.
What strength of character and courage it must have taken for her to leave her family, to escape the clutches of her authoritarian father at a time when this just was not done. How wonderful that, at what was middle age then, she was able to live happily with her love, regain strength and start a family. Such perseverance, such patience on her part:
My Letters! all dead paper... (Sonnet 28)
My letters! all dead paper, mute and white!
And yet they seem alive and quivering
Against my tremulous hands which loose the string
And let them drop down on my knee tonight.
This said—he wished to have me in his sight
Once, as a friend: this fixed a day in spring
To come and touch my hand. . . a simple thing,
Yes I wept for it—this . . . the paper's light. . .
Said, Dear, I love thee; and I sank and quailed
As if God's future thundered on my past.
This said, I am thine—and so its ink has paled
With lying at my heart that beat too fast.
And this . . . 0 Love, thy words have ill availed
If, what this said, I dared repeat at last!
-Elizabeth Barrett Browning
And Robert's:
Meeting at Night
The gray sea and the long black land;
And the yellow half-moon large and low:
And the startled little waves that leap
In fiery ringlets from their sleep,
As I gain the cove with pushing prow,
And quench its speed i’ the slushy sand.
Then a mile of warm sea-scented beach;
Three fields to cross till a farm appears;
A tap at the pane, the quick sharp scratch
And blue spurt of a lighted match,
And a voice less loud, through joys and fears,
Than the two hearts beating each to each!
-Robert Browning
What strength of character and courage it must have taken for her to leave her family, to escape the clutches of her authoritarian father at a time when this just was not done. How wonderful that, at what was middle age then, she was able to live happily with her love, regain strength and start a family. Such perseverance, such patience on her part:
My Letters! all dead paper... (Sonnet 28)
My letters! all dead paper, mute and white!
And yet they seem alive and quivering
Against my tremulous hands which loose the string
And let them drop down on my knee tonight.
This said—he wished to have me in his sight
Once, as a friend: this fixed a day in spring
To come and touch my hand. . . a simple thing,
Yes I wept for it—this . . . the paper's light. . .
Said, Dear, I love thee; and I sank and quailed
As if God's future thundered on my past.
This said, I am thine—and so its ink has paled
With lying at my heart that beat too fast.
And this . . . 0 Love, thy words have ill availed
If, what this said, I dared repeat at last!
-Elizabeth Barrett Browning
And Robert's:
Meeting at Night
The gray sea and the long black land;
And the yellow half-moon large and low:
And the startled little waves that leap
In fiery ringlets from their sleep,
As I gain the cove with pushing prow,
And quench its speed i’ the slushy sand.
Then a mile of warm sea-scented beach;
Three fields to cross till a farm appears;
A tap at the pane, the quick sharp scratch
And blue spurt of a lighted match,
And a voice less loud, through joys and fears,
Than the two hearts beating each to each!
-Robert Browning
Sunday, April 05, 2009
We're working on our bird songs now. So far, I only know a few: the robin, the cardinal, the jay, the sparrow, the titmouse, the chickadee.
This afternoon, was sitting out in the yard listening to the mad chatter and trying to isolate the individual songs. I think I got a few correct, anyway.
Closed my eyes for a bit and, while listening to the songs, got to thinking about Pan's flute. According to Edith Hamilton's Mythology, The satyr fell in love with a nymph called Syrinx. Terrified of him, she fled. Just as he was about to catch her, however, her sisters turned her into "a tuft of reeds." Not one to give up, Pan created a shepherd's flute from the reeds that Syrinx had become and beeswax.
A Musical Instrument
What was he doing, the great god Pan,
Down in the reeds by the river?
Spreading ruin and scattering ban,
Splashing and paddling with hoofs of a goat,
And breaking the golden lilies afloat
With the dragon-fly on the river.
He tore out a reed, the great god Pan,
From the deep cool bed of the river:
The limpid water turbidly ran,
And the broken lilies a-dying lay,
And the dragon-fly had fled away,
Ere he brought it out of the river.
High on the shore sat the great god Pan
While turbidly flowed the river;
And hacked and hewed as a great god can,
With his hard bleak steel at the patient reed,
Till there was not a sign of the leaf indeed
To prove it fresh from the river.
He cut it short, did the great god Pan,
(How tall it stood in the river!)
Then drew the pith, like the heart of a man,
Steadily from the outside ring,
And notched the poor dry empty thing
In holes, as he sat by the river.
'This is the way,' laughed the great god Pan
(Laughed while he sat by the river),
'The only way, since gods began
To make sweet music, they could succeed.'
Then, dropping his mouth to a hole in the reed,
He blew in power by the river.
-Elizabeth Barrett Browning
This afternoon, was sitting out in the yard listening to the mad chatter and trying to isolate the individual songs. I think I got a few correct, anyway.
Closed my eyes for a bit and, while listening to the songs, got to thinking about Pan's flute. According to Edith Hamilton's Mythology, The satyr fell in love with a nymph called Syrinx. Terrified of him, she fled. Just as he was about to catch her, however, her sisters turned her into "a tuft of reeds." Not one to give up, Pan created a shepherd's flute from the reeds that Syrinx had become and beeswax.
A Musical Instrument
What was he doing, the great god Pan,
Down in the reeds by the river?
Spreading ruin and scattering ban,
Splashing and paddling with hoofs of a goat,
And breaking the golden lilies afloat
With the dragon-fly on the river.
He tore out a reed, the great god Pan,
From the deep cool bed of the river:
The limpid water turbidly ran,
And the broken lilies a-dying lay,
And the dragon-fly had fled away,
Ere he brought it out of the river.
High on the shore sat the great god Pan
While turbidly flowed the river;
And hacked and hewed as a great god can,
With his hard bleak steel at the patient reed,
Till there was not a sign of the leaf indeed
To prove it fresh from the river.
He cut it short, did the great god Pan,
(How tall it stood in the river!)
Then drew the pith, like the heart of a man,
Steadily from the outside ring,
And notched the poor dry empty thing
In holes, as he sat by the river.
'This is the way,' laughed the great god Pan
(Laughed while he sat by the river),
'The only way, since gods began
To make sweet music, they could succeed.'
Then, dropping his mouth to a hole in the reed,
He blew in power by the river.
-Elizabeth Barrett Browning
Saturday, April 04, 2009
Lots of folks say that we don't actually get a Spring here in Massachusetts, that we go straight from Winter to Summer. I don't really agree with that. Granted, the indicators are bit more subtle here than where I grew up, but there's still a clear buffer between the two extremes. For example, there is a gradual change in the angle of light in addition to the lengthening of days. And the quality of the breeze that hits one's back - it goes from needle-like cold to soft and warm with a nice, green watery scent to it. Bird calls and behaviors change as they move from survival to reproductive mode. The ground goes from gray and crumbly to wet, dark and, eventually, studded with silvery-green spikes of new life.
It's all there if one just takes the time out to observe.
Spring is like a perhaps hand
III
Spring is like a perhaps hand
(which comes carefully
out of Nowhere)arranging
a window,into which people look(while
people stare
arranging and changing placing
carefully there a strange
thing and a known thing here)and
changing everything carefully
spring is like a perhaps
Hand in a window
(carefully to
and fro moving New and
Old things,while
people stare carefully
moving a perhaps
fraction of flower here placing
an inch of air there)and
without breaking anything.
-e.e. cummings
It's all there if one just takes the time out to observe.
Spring is like a perhaps hand
III
Spring is like a perhaps hand
(which comes carefully
out of Nowhere)arranging
a window,into which people look(while
people stare
arranging and changing placing
carefully there a strange
thing and a known thing here)and
changing everything carefully
spring is like a perhaps
Hand in a window
(carefully to
and fro moving New and
Old things,while
people stare carefully
moving a perhaps
fraction of flower here placing
an inch of air there)and
without breaking anything.
-e.e. cummings
Friday, April 03, 2009
Crossroads
The second half of my life will be black
to the white rind of the old and fading moon.
The second half of my life will be water
over the cracked floor of these desert years.
I will land on my feet this time,
knowing at least two languages and who
my friends are. I will dress for the
occasion, and my hair shall be
whatever color I please.
Everyone will go on celebrating the old
birthday, counting the years as usual,
but I will count myself new from this
inception, this imprint of my own desire.
The second half of my life will be swift,
past leaning fenceposts, a gravel shoulder,
asphalt tickets, the beckon of open road.
The second half of my life will be wide-eyed,
fingers shifting through fine sands,
arms loose at my sides, wandering feet.
There will be new dreams every night,
and the drapes will never be closed.
I will toss my string of keys into a deep
well and old letters into the grate.
The second half of my life will be ice
breaking up on the river, rain
soaking the fields, a hand
held out, a fire,
and smoke going
upward, always up.
-Joyce Sutphen
***
Happy Birthday Pavel, and happy start of your new life!
The second half of my life will be black
to the white rind of the old and fading moon.
The second half of my life will be water
over the cracked floor of these desert years.
I will land on my feet this time,
knowing at least two languages and who
my friends are. I will dress for the
occasion, and my hair shall be
whatever color I please.
Everyone will go on celebrating the old
birthday, counting the years as usual,
but I will count myself new from this
inception, this imprint of my own desire.
The second half of my life will be swift,
past leaning fenceposts, a gravel shoulder,
asphalt tickets, the beckon of open road.
The second half of my life will be wide-eyed,
fingers shifting through fine sands,
arms loose at my sides, wandering feet.
There will be new dreams every night,
and the drapes will never be closed.
I will toss my string of keys into a deep
well and old letters into the grate.
The second half of my life will be ice
breaking up on the river, rain
soaking the fields, a hand
held out, a fire,
and smoke going
upward, always up.
-Joyce Sutphen
***
Happy Birthday Pavel, and happy start of your new life!
Thursday, April 02, 2009
Realpolitik.
Have recently been reading about the confusing and awful period just after the French Revolution to about the Franco-Prussian War. It is here that we to see the birth of Communism, the second French Empire (under Napoleon III), the unification of Italy and, of course, the clashes between Austria and Prussia.
Political maneuverings and eventual communication breakdowns were abstractions to the leaders, moves on a chess board. Not so much for those charged with the dirty work, however.
The Crimean War is somewhat analogous to the American civil war largely in that it was a clash that pitted modern technology with classical (now outmoded) tactics. Missteps and miscommunications, mainly on the British side, resulted in harsh criticism and a series of reforms both in the military and in the nursing profession.
One particularly egregious miscommunication occurred during the Battle of Balaclava; the brave actions of the soldier executing their incorrect orders was immortalized by Alfred, Lord Tennyson:
The Charge of the Light Brigade
Half a league, half a league,
Half a league onward,
All in the valley of Death
Rode the six hundred.
'Forward the Light Brigade!
Charge for the guns!' he said:
Into the valley of Death
Rode the six hundred.
'Forward, the Light Brigade!'
Was there a man dismayed?
Not though the soldier knew
Some one had blundered:
Theirs not to make reply,
Theirs not to reason why,
Theirs but to do and die:
Into the valley of Death
Rode the six hundred.
Cannon to right of them,
Cannon to left of them
Cannon in front of them
Volleyed and thundered;
Stormed at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of Hell
Rode the six hundred.
Flashed all their sabres bare,
Flashed as they turned in air
Sabring the gunners there,
Charging an army, while
All the world wondered:
Plunged in the battery-smoke
Right through the line they broke;
Cossack and Russian
Reeled from the sabre-stroke
Shattered and sundered.
Then they rode back, but not
Not the six hundred.
Cannon to right of them,
Cannon to left of them,
Cannon behind them
Volleyed and thundered;
Stormed at with shot and shell,
While horse and hero fell,
They that had fought so well
Came through the jaws of Death,
Back from the mouth of Hell,
All that was left of them,
Left of six hundred.
When can their glory fade?
O the wild charge they made!
All the world wondered.
Honour the charge they made!
Honour the Light Brigade,
Noble six hundred!
***
(A wax cylinder recording of Tennyson reciting his poem can be found here.)
Have recently been reading about the confusing and awful period just after the French Revolution to about the Franco-Prussian War. It is here that we to see the birth of Communism, the second French Empire (under Napoleon III), the unification of Italy and, of course, the clashes between Austria and Prussia.
Political maneuverings and eventual communication breakdowns were abstractions to the leaders, moves on a chess board. Not so much for those charged with the dirty work, however.
The Crimean War is somewhat analogous to the American civil war largely in that it was a clash that pitted modern technology with classical (now outmoded) tactics. Missteps and miscommunications, mainly on the British side, resulted in harsh criticism and a series of reforms both in the military and in the nursing profession.
One particularly egregious miscommunication occurred during the Battle of Balaclava; the brave actions of the soldier executing their incorrect orders was immortalized by Alfred, Lord Tennyson:
The Charge of the Light Brigade
Half a league, half a league,
Half a league onward,
All in the valley of Death
Rode the six hundred.
'Forward the Light Brigade!
Charge for the guns!' he said:
Into the valley of Death
Rode the six hundred.
'Forward, the Light Brigade!'
Was there a man dismayed?
Not though the soldier knew
Some one had blundered:
Theirs not to make reply,
Theirs not to reason why,
Theirs but to do and die:
Into the valley of Death
Rode the six hundred.
Cannon to right of them,
Cannon to left of them
Cannon in front of them
Volleyed and thundered;
Stormed at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of Hell
Rode the six hundred.
Flashed all their sabres bare,
Flashed as they turned in air
Sabring the gunners there,
Charging an army, while
All the world wondered:
Plunged in the battery-smoke
Right through the line they broke;
Cossack and Russian
Reeled from the sabre-stroke
Shattered and sundered.
Then they rode back, but not
Not the six hundred.
Cannon to right of them,
Cannon to left of them,
Cannon behind them
Volleyed and thundered;
Stormed at with shot and shell,
While horse and hero fell,
They that had fought so well
Came through the jaws of Death,
Back from the mouth of Hell,
All that was left of them,
Left of six hundred.
When can their glory fade?
O the wild charge they made!
All the world wondered.
Honour the charge they made!
Honour the Light Brigade,
Noble six hundred!
***
(A wax cylinder recording of Tennyson reciting his poem can be found here.)
Wednesday, April 01, 2009
In some places, today is April Fool's Day. In other places, one celebrates with an April Fish. Given this, I thought that perhaps it would be good to start things off with a little something pertaining to fools as well as fish:
***
Fish Crier
I KNOW a Jew fish crier down on Maxwell Street with a voice like a north wind blowing over corn stubble in January.
He dangles herring before prospective customers evincing a joy identical with that of Pavlowa dancing.
His face is that of a man terribly glad to be selling fish, terribly glad that God made fish, and customers to whom he may call his wares, from a pushcart.
-Carl Sandburg, from Chicago Poems
***
Fish Crier
I KNOW a Jew fish crier down on Maxwell Street with a voice like a north wind blowing over corn stubble in January.
He dangles herring before prospective customers evincing a joy identical with that of Pavlowa dancing.
His face is that of a man terribly glad to be selling fish, terribly glad that God made fish, and customers to whom he may call his wares, from a pushcart.
-Carl Sandburg, from Chicago Poems
Tuesday, March 31, 2009
Wednesday, April 16, 2008
Today I dressed up. Not because I felt good, but just because I knew I had to make some sort of effort or not leave the house at all. Have been complimented quite a lot, but it's not really helping me. Just can't seem to get beyond the aches, pains and generally poor mood.
A Hand-Mirror
Hold it up sternly--see this it sends back, (who is it? is it you?)
Outside fair costume, within ashes and filth,
No more a flashing eye, no more a sonorous voice or springy step,
Now some slave's eye, voice, hands, step,
A drunkard's breath, unwholesome eater's face, venerealee's flesh,
Lungs rotting away piecemeal, stomach sour and cankerous,
Joints rheumatic, bowels clogged with abomination,
Blood circulating dark and poisonous streams,
Words babble, hearing and touch callous,
No brain, no heart left, no magnetism of sex;
Such from one look in this looking-glass ere you go hence,
Such a result so soon--and from such a beginning!
-Walt Whitman
A Hand-Mirror
Hold it up sternly--see this it sends back, (who is it? is it you?)
Outside fair costume, within ashes and filth,
No more a flashing eye, no more a sonorous voice or springy step,
Now some slave's eye, voice, hands, step,
A drunkard's breath, unwholesome eater's face, venerealee's flesh,
Lungs rotting away piecemeal, stomach sour and cankerous,
Joints rheumatic, bowels clogged with abomination,
Blood circulating dark and poisonous streams,
Words babble, hearing and touch callous,
No brain, no heart left, no magnetism of sex;
Such from one look in this looking-glass ere you go hence,
Such a result so soon--and from such a beginning!
-Walt Whitman
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